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THE MATRIX OF THE YANG EGREGORE


 

Sound track for the painting:

L. van Beethoven. Piano Concerto No 4 in G major. L. Bernstein, K. Zimerman

O. Mityaev. Poruchik

 

Aroma for the painting:

Burberry. London for men


Taste for the painting:
pomegranates

 

 

 

 

 

 

Technique: oil on canvas, modeling paste

Dimensions: 60 х 80 cm

Style: Positive Synergism
Сollection of The Institute of the Sun

 

In contemporary philosophy and metaphysics Yang is an active male origination, strength, and force, connected with energies of lower chakras (loci of life energy) in the human body. These are initial life energies with the most low and rough vibrations. But low vibrations do not mean bad, since they also participate in creating harmony. Without lower chakras the earthly life, as well as functioning of a strong healthy body, is impossible.


This is the Matrix of the Yang Egregore!


The concept of Yang includes five basic male archetypes:


Osiris – the archetype of an open-minded, energetic, and strong life-creator in the widest understanding of the word;


Horus – the archetype of a man, who is working on his own personality and accomplishes his soul to restore Righteousness and Creativity in the world;


Anubis – the archetype of a highly sensitive man (who can be a poet, an artist, a doctor, a teacher) with priority to harmonize human soul and body;


Tot – the type of a philosopher, who creates for centuries; no matter what he is doing in his lifetime (explores, constructs, sows or mows), he will be happy only if he is on his place;


Set – the type of a total disaster, whose aim in life is to destroy; and who is a tool of karma to make everyone constantly choose between good and evil.


Yang is symbolized by the wind, mountain ranges with elements of relative variations like drops in height, ascents and descents; eastern slopes of mountains that see the sunrise; water – a pond, a lake, any fixed or nearly undisturbed reservoir; hot – geysers; fire – volcanoes; covered; white; active; light; hard; upward seeking; summer; bliss


The Phoenix – probably from the Greek ‘φοῖνιξ’, meaning ‘violet, purple’ – in ancient mythologies is a mythical sacred firebird, which at the end of its life circle ignites its nest; both, nest and bird, burn fiercely and are reduced to ashes, from which a new young phoenix arises. It is a symbol of constant regenerating, immortality, and invincibility – a symbol of Yang, as the real man can always rise from the ashes!


A purple color is considered to be the most mysterious; and it could be originated from two colours: red – the hottest (Yang) and indigo – the coldest (Yin)… And no wonder that purple can be found in the Yang matrix. The Tai-Chi wheel – ‘two fighting whales’ – describes two primal opposing but complementary forces, meaning their independence and availability of each other’s elements in their own structures. For balance and harmony man should contain Yin energies, but only Yang energies allow him to perform his masculine role implementing his karma of active creation and construction.


Fenist the Bright Falcon symbolizes a Real Man, always chosen by a Real Female, for whom she is ready to take up any formidable challenges and to endure years of suffering and privation… Thus, in the center of the Yang Matrix there is Phoenix-Fenist the Bright Falcon with… LONGINES watch on his wrist, which symbolizes Life and impeccable taste opposing mauvais ton… Its hour hands in the form of a smile, as usual, symbolize cheerfulness (Yang)… And a solitary restrained masculine tear symbolizes tears of joy… related to achievement, and real, well-deserved, success!


A feather is a symbol of happiness, grapes on vines – of God’s blessing!


His 4-th piano concerto Ludwig van Beethoven composed under the impression produced on him by a painting, in which Orpheus travels to the Underworld and asks Hades to let his wife Eurydice go… Beethoven did not plan to give a concert himself; by the time he could not hear the orchestra already… But the soloists, he had asked to play, were not able to learn such a difficult concerto before the premiere… So, he determined to take the stage as soloist again… This performance turned out to be his last appearance as a soloist with orchestra in public… And Beethoven ‘executed it with astonishing excellence, in the most rapid tempos, incomparable expressivity and ease freed from all formal constraints’…
Isn’t it so masculine: to protect a female from danger and harm; to take responsibility; to be straightforward; to exert power and strength; to make all impossible possible; moreover, to get things accomplished quickly and efficiently...? 

 

And from the heaven we can hear fantastically beautiful, velvet, warm and major sounding, Helden (hero’s) baritone or tenor – a truly male voice timbre!

 

 

 

PORUCHIK

 

O. Mityaev
Translated by Em Rostverg

 

The poruchik isn’t getting on,
And his uniform is a little torn,
But to Tsarskoye Selo
His road seems to him so joyous
Until he completely sobers up.
But to Tsarskoye Selo
His road seems to him so joyous
Until he completely sobers up.
 
Until the French horns fall wholly dumb,
He won’t remember anything at all -
Neither of the fight, nor of the whip,
Nor that he dared have some cheek,
And that his motherland is a stepmother for him.
Neither of the fight, nor of the whip,
Nor that he dared have some cheek,
And that his motherland is a stepmother for him.
 
The poruchik’s pelisse is well designed,
And he’s got a hankie from a Mademoiselle.
He doesn’t remember the debate,
Neither the secret quiet talk
Nor that he’s challenged his opponent to a duel.
He doesn’t remember the debate,
Neither the secret quiet talk
Nor that he’s challenged his opponent to a duel.
 
But today he is hell lucky and still blessed:
Someone waits for him, so sinful, and yet prays.
Tsarskoye Selo is dozing long,
But up until one of the doors
Isn’t locked, he won’t lay down his precious soul.
Tsarskoye Selo is dozing long,
But up until one of the doors

Isn't locked, he won't lay down his precious soul.

 

 

© 2015-2024 The Institute of the Sun
Pictures of the paintings: Sergrei Didyk